TV estabilishes televised worlds in which a society is devised, which for its part devises television. It makes it mainly through clipping, assembling and framing cultural fragments and remains, giving them a new significance in typically televised experienced pictures: the overlapped frames. In those pictures, the televised otherness gain existence. The Brazility as well as TV itself, amongst other ethicities, are in this manner stated, with certain senses, in practices which tend to be homological. Those senses have to be searched in televised grammars even more than in something called contents of television programs.
