Hegemonic masculinities in two comic films in Malayalam: Meesa Madhavan and Rajamanikyam

Artcultura

Endereço:
AV: JOãO NAVES DE ÁVILA, 2121
Uberlândia / MG
0
Site: https://seer.ufu.br/index.php/artcultura
Telefone: (34) 3239-4130
ISSN: 2178-3845
Editor Chefe: Adalberto Paranhos e Kátia Rodrigues Paranhos
Início Publicação: 28/02/1999
Periodicidade: Semestral
Área de Estudo: História

Hegemonic masculinities in two comic films in Malayalam: Meesa Madhavan and Rajamanikyam

Ano: 2015 | Volume: 17 | Número: 30
Autores: Preeti Kumar
Autor Correspondente: Preeti Kumar | [email protected]

Palavras-chave: Malayalam cinema; masculinity; gendered violence.

Resumos Cadastrados

Resumo Inglês:

This paper interrogates how the films evoke a specific notion of masculinity, and valorise normative male ideals – aggression, violence, and a gendered division of space and labour. Violence and dominance are legitimised and constructed as “natural” of the male “will to power”. The paper also evaluates the populist appeal of the film as a reaction against attempts to inscribe a “new man” into the paradigms of gender – the proletarian heroes are traditional male supremacists who dichotomise public and private domains and discipline women to function within the norms of family. Further, it analyses the semiotics of film that work collaboratively to create the masculine image.